This article has been reviewed according to Science X's editorial process and policies. Editors have highlighted the following attributes while ensuring the content's credibility:

fact-checked

trusted source

proofread

Despite intensive scientific analyses, this centaur head remains a mystery

Despite intensive scientific analyses, this head remains a mystery
The analyzed centaur head from Parthenon temple, National Museum of Denmark. Credit: John Lee, National Museum of Denmark

At the National Museum in Copenhagen, Denmark, there is a marble head that was once part of the ancient Greek Parthenon temple on the Acropolis in Athens. The head originally belonged to a centaur figure and was part of a scene depicting the Greek mythological Lapiths' battle against the centaurs (mythical creatures that were half-horse, half-human).

For reasons that have yet to be explained, parts of the centaur head are coated with a thin brown film, as are several other marble fragments from the Parthenon. The mysterious brown film was first examined by the British Museum in 1830.

Back then, attempts were made to determine if the color originated from ancient paint, but it was eventually concluded that it might be a result of a chemical reaction between the marble and the air, or that the marble contained iron particles that had migrated to the surface, coloring it brown.

Oxalic acid, algae and fungi

"There have been many attempts to explain the peculiar brown film. In 1851, German chemist, Justus von Liebig, performed the first actual scientific investigation and determined that the brown film contained oxalates—salts of oxalic acid. This has been confirmed by later analyses, but the origin of the oxalates has remained a mystery," says Professor emeritus Kaare Lund Rasmussen, an expert in chemical analyses of historical and archaeological artifacts, Department of Physics, Chemistry and Pharmacy, University of Southern Denmark.

Along with University of Southern Denmark colleagues Frank Kjeldsen and Vladimir Gorshkov from the Department of Biochemistry and Molecular Biology, Bodil Bundgaard Rasmussen, former head of the Antiquities Collection at the National Museum of Denmark, Thomas Delbey from Cranfield University in England, and Ilaria Bonaduce from the University of Pisa, Italy, he has published a scientific article describing the results of their investigations into the brown-colored centaur head from the National Museum.

The article is published in Heritage Science.

"We especially wanted to examine whether the brown film could have been formed by some biological organism, such as lichen, bacteria, algae, or fungi. This theory had been suggested before, but no specific organism had been identified. The same goes for the theory that it could be remnants of applied paint—perhaps to protect or tone the marble surface," says Kaare Lund Rasmussen.

For their investigations, the research team was allowed to take five small samples from the back of the centaur head. These samples underwent various analyses in SDU's laboratories, including protein analysis and so-called Laser Ablation Inductively Coupled Plasma Mass Spectrometry.

"We found no traces of biological matter in the brown layers—only from our own fingerprints and perhaps a bird egg that broke on the marble in ancient times. This doesn't prove that there never was a biological substance, but it significantly reduces the probability, making the theory of a biological organism less probable now," says Kaare Lund Rasmussen.

Similarly, it is now less probably that the marble surface was painted or preserved, according to the researchers, who also specifically searched for traces of paint. Ancient paints were typically based on natural products such as eggs, milk, and bones, and no traces of such ingredients were found in the brown stain alone.

The mystery remains

Through their investigations, the research team also discovered that the brown film consists of two separate layers. These two layers are approximately equally thick, around 50 micrometers each, and they differ in terms of trace element composition. However, both layers contain a mixture of the oxalate minerals weddellite and whewellite.

The fact that there are two distinct layers argues against the theory that they were created by the migration of material, such as iron particles, from the interior of the marble. It also contradicts the theory that they resulted from a reaction with the air.

Air pollution is also unlikely for another reason; the centaur head has been indoors in Copenhagen since before modern industrialization began in the 18th century. In fact, this makes the heads at the National Museum particularly valuable compared to the marble pieces on the Acropolis, of which some have only recently been brought indoors.

"As there are two different brown layers with different chemical compositions, it is likely that they have different origins. This could suggest that someone applied paint or a conservation treatment, but since we haven't found traces of such substances, the brown color remains a mystery," concludes Kaare Lund Rasmussen.

How the centaur head came to Denmark

The centaur head, along with another head from the Parthenon temple, came to Denmark in 1688 as a gift to King Christian V. It was brought by the Danish captain Moritz Hartmand, who served in the Venetian fleet and was present during the bombardment of the Acropolis in Athens in 1687. A significant part of the Parthenon temple was destroyed. The centaur head was placed in the Royal Kunstkammer, which later became the National Museum, where it has been exhibited ever since.

More information: Kaare Lund Rasmussen et al, Analyses of the brown stain on the Parthenon Centaur head in Denmark, Heritage Science (2024). DOI: 10.1186/s40494-023-01126-9

Citation: Despite intensive scientific analyses, this centaur head remains a mystery (2024, January 18) retrieved 23 April 2024 from https://phys.org/news/2024-01-intensive-scientific-analyses-centaur-mystery.html
This document is subject to copyright. Apart from any fair dealing for the purpose of private study or research, no part may be reproduced without the written permission. The content is provided for information purposes only.

Explore further

Scientific analysis reveals the true colors of the Parthenon Sculptures

82 shares

Feedback to editors