Techniques now used to reconstruct 3D models based on multiple photos of a building, object or scene can also be leveraged to automatically estimate illumination conditions depicted in a collection of photographs, scientists at Disney Research and Université Laval report.
Everyone knows that objects can look markedly different depending on lighting conditions, the physical characteristics of the objects and the angle at which they are viewed. That makes it difficult for photo editors to insert 3D objects into imagery and make them appear as if they are reflecting light or casting shadows naturally. But knowledge of the lighting conditions in an image could greatly simplify such efforts, according to Iain Matthews, principal research scientist at Disney Research in Pittsburgh.
Matthews and Jean-François Lalonde, an assistant professor of electrical and computer engineering at Université Laval, found that structure-from-motion (SfM) algorithms, which are now widely used to create 3D models based on multiple photographs, could be a key to estimating those illumination conditions. They first used SfM techniques to create 3D models based on collections of photos that all focused on the same landmark; they then used an inverse rendering approach they developed to recover the lighting conditions for each of the photos.
They will present their findings at the International Conference on 3-D Vision, Dec. 8-11, in Tokyo.
Lalonde noted that the knowledge of lighting conditions gleaned from this method not only would permit editors to realistically insert objects into one of the photos in a collection but, almost magically, all of the photos.
"If one adds a virtual statue in front of a building in one of the photographs from the collection, the same statue can now be inserted in all the other photos with the correct illumination for each image," he said.
To develop the lighting estimation technique, Lalonde and Matthews used a novel database that included collections of photos of 22 different landmarks for which the actual conditions - brightness, position of the sun, sky conditions - were recorded for each photo. Knowledge of the actual conditions provided a check on their ability to estimate those conditions.
Matthews noted that they were able to obtain high-dynamic range (HDR) lighting environment maps even when using input images of low-dynamic range.
"You can edit existing outdoor photos by inserting any 3D object you want and it will look believable - without using additional light and HDR data capture equipment usually required to do this in visual effects," he added.
One limitation, they noted, is that the estimation technique only works in outdoor images with natural illumination.
Explore further: Tone mapping technique creates 'hyper-real' look
www.disneyresearch.com/publica … r-image-collections/