Myth of a cultural elite -- education, social status determine what we attend, listen to and watch

Dec 20, 2007

There have been a number of theories put forward to explain how our tastes in cinema, theatre, music and the fine arts relate to our position in society. New research funded by the Economic and Social Research Council, has concluded that there is little evidence of a ‘cultural elite’ that aspires to ‘high culture’, while turning its back on popular culture.

The research, carried out at the University of Oxford, aimed to determine which theory fits most closely with reality. To ensure the findings applied internationally, survey data was studied from the UK and also from six other countries in Europe and elsewhere in the world. Findings confirmed that a cultural-elite, linked to social class, does not exist in society.

Researchers sought to refine the differences in the hierarchical arrangement, known as social stratification, of people in society. To achieve this, their work took into account the backgrounds of the people surveyed, including education, income and social class. Previous research in this field had used such factors interchangeably, but this project sought to draw a clear distinction between social class and social status.

Doctor Tak Wing Chan, who conducted the research with his colleague Doctor John Goldthorpe. commented: “Our work has shown that it’s education and social status, not social class that predict cultural consumption in the UK, and broadly comparable results were obtained from other countries in our project too.”

Using terms more familiar to those studying the animal kingdom and, in particular, the eating habits of animals, the researchers identified several different types of groups in society that ‘consume’ culture.

These included:

-- Univores: people who have an interest in popular culture only
-- Ominvores: people who consume the full variety of different types of culture
-- Paucivores: people who consume a limited range of cultural activities
-- Inactives: people who access nothing at all.

In the UK, it turned out that the consumption of culture is very clearly patterned:

-- For theatre, dance and cinema, two types of consumer were identified – univores (62.5% of the sample) and omnivores (37.5%).
-- For music, three types were identified – univores (65.7% of the sample), omnivore listeners only (24%) and omnivores (10.3%).
-- For the visual arts for example, art galleries, festivals, video art presentations, again three types were identified – inactives (58.6% of the sample), paucivores (34.4%) and omnivores (7%).

“There’s little evidence for the existence of a cultural elite who would consume ‘high’ culture while shunning more ‘popular’ cultural forms,” said Doctor Tak Wing Chan, “Furthermore, at least a substantial minority of members of the most advantaged social groups are univores or inactives.”

Source: Economic & Social Research Council

Explore further: Sundance doc examines real-life Close Encounter

add to favorites email to friend print save as pdf

Related Stories

Economic games don't show altruism

Jan 16, 2015

Economic 'games' routinely used in the lab to probe people's preferences and thoughts find that humans are uniquely altruistic, sacrificing money to benefit strangers. A new study published in the journal ...

Decision cascades in social networks

Dec 22, 2014

How do people in a social network behave? How are opinions, decisions and behaviors of individuals influenced by their online networks? Can the application of math help answer these questions?

Ag-tech could change how the world eats

Dec 14, 2014

Investors and entrepreneurs behind some of the world's newest industries have started to put their money and tech talents into farming - the world's oldest industry - with an audacious agenda: to make sure there is enough ...

Recommended for you

Sundance doc examines real-life Close Encounter

3 hours ago

Earth authorities are completely unprepared for the arrival of alien visitors and worried humans should ready themselves by watching a groundbreaking documentary, the film's director boasts.

Toward a scientific process freed from systemic bias

Jan 26, 2015

Research on how science works - the science of science - can benefit from studying the digital traces generated during the research process, such as peer-reviewed publications. This type of research is crucial for the future ...

User comments : 0

Please sign in to add a comment. Registration is free, and takes less than a minute. Read more

Click here to reset your password.
Sign in to get notified via email when new comments are made.