Discovery of the oldest evidence of motility on Earth

An international multi-disciplinary team coordinated by Abderrazak El Albani at the Institut de chimie des milieux et matériaux de Poitiers (CNRS/Université de Poitiers) has uncovered the oldest fossilised traces of motility. ...

The great gas hydrate escape

For some time, researchers have explored flammable ice for low-carbon or alternative fuel or as a place to store carbon dioxide. Now, a computer analysis of the ice and gas compound, known as a gas hydrate, reveals key details ...

New insight into the origin of water on the earth

Scientists have found the interstellar organic matter could produce an abundant supply of water by heating, suggesting that organic matter could be the source of terrestrial water.

Scientists use a blender to reveal what's in our smartphones

Every year, 1.4 billion mobile phones are produced around the world. Many of us have more than one, but what are they made of, where do those materials come from, and what is the best thing to do with our devices once we ...

Neanderthals used resin 'glue' to craft their stone tools

Archaeologists working in two Italian caves have discovered some of the earliest known examples of ancient humans using an adhesive on their stone tools—an important technological advance called "hafting."

How dangerous is microplastic?

After alarming reports of microplastic pollution in oceans and beaches, the global scientific community intensified its focus into this area. Researchers have since found evidence of microplastic contamination everywhere—in ...

Using sound and light to generate ultra-fast data transfer

Researchers have made a breakthrough in the control of terahertz quantum cascade lasers, which could lead to the transmission of data at the rate of 100 gigabits per second—around one thousand times quicker than a fast ...

New light on Leonardo Da Vinci's faces

How did Leonardo Da Vinci manage to paint such perfect faces? For the first time a quantitative chemical analysis has been done on seven paintings from the Louvre Museum (including the Mona Lisa) without extracting any samples.

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