Scientists solve 2000-year-old mystery of the binding media in China's polychrome Terracotta Army

August 1, 2014
This is a view into Pit No. 1 of Qin Shihuang's Terracotta Army. Credit: Science China Press

Even as he conquered rival kingdoms to create the first united Chinese empire in 221 B.C., China's First Emperor Qin Shihuang ordered the building of a glorious underground palace complex, mirroring his imperial capital near present-day Xi'an, that would last for an eternity.

To protect his underworld palaces, the First Emperor issued instructions that his imperial guard be replicated, down to the finest details, in red-brown terracotta clay, poised to do battle. Thousands of these imperial guards were initially discovered in 1974; some contained patches of pigment that had survived 22 centuries buried underground, along with minute remnants of binding media that had aided in the creation of this polychrome Terracotta Army.

Efforts to conserve, and perhaps even restore, these remarkable examples of sculpture in the round from the first empire have been hampered by the failure of a series of scientific experiments to pinpoint the binding material used in applying pigments to Qin Shihuang's underground army.

More than a quarter-century ago, the United Nations Educational, Scientific and Cultural Organization inscribed the Mausoleum of the First Qin Emperor on its World Heritage List – a chronicle of the most fantastic and important cultural and historical sites around the world.

Describing the site, UNESCO experts stated: "Qin (d. 210 B.C.), the first unifier of China, is buried, surrounded by the famous terracotta warriors, at the center of a complex designed to mirror the urban plan of the capital, Xianyang. The small figures are all different; with their horses, chariots and weapons, they are masterpieces of realism and also of great historical interest."

Describing the site as "one of the most fabulous archaeological reserves in the world," UNESCO experts pointed out the immense value of investigating the technology involved in creating and coloring these lifelike warriors: "The documentary value of a group of hyper realistic sculptures where no detail has been neglected - from the uniforms of the warriors, their arms, to even the horses' halters - is enormous. Furthermore, the information to be gleaned from the statues concerning the craft and techniques of potters and bronze-workers is immeasurable."

Archaeological excavations and research conducted since the discovery of the First Emperor's polychrome army have revealed "the surfaces of the terracotta warriors were initially covered with one or two layers of an East Asian lacquer … obtained from lacquer trees," according to Hongtao Yan and Jingjing An, scientists at the College of Chemistry and Materials Science, Northwest University, in the Chinese city of Xi'an.

In an article coauthored with Tie Zhou, Yin Xia and Bo Rong, scholars at the Key Scientific Research Base of Ancient Polychrome Pottery Conservation, the State Administration for Cultural Heritage, connected with the Museum of Emperor Qin Shihuang's Terracotta Army, these researchers stated: "This lacquer was used as a base-coat for the polychrome layers, with one layer of polychrome being placed on top of the lacquer in the majority of cases."

These five scholars likewise revealed in the study, which was published in the Chinese Science Bulletin, that polychrome layers applied to these sculpted imperial guards were composed of natural inorganic pigments and binding media. These pigments have been identified as including cinnabar [HgS], apatite [Ca5(PO4)3OH], azurite [Cu3(CO3)2(OH)2] and malachite [Cu2CO3(OH)2], etc., but the precise composition of binding media used in the painting process had long eluded scientists.

Research aimed at solving this puzzle faced an array of obstacles: extremely low levels the proteinaceous binding media in the polychrome layers of Qin Shihuang's terracotta army have survived being submerged in almost six meters of water-saturated loess for more than two millennia.

"Following almost 22 centuries of storage under these conditions, the remaining pieces of original polychromy that have survived on the sculptures contain extremely small amounts of the binding media," the researchers wrote in an article titled "Identification of proteinaceous binding media for the polychrome terracotta army of Emperor Qin Shihuang by MALDI-TOF-MS."

"A large amount of the polychromy has already been lost through pillaging as well as damage resulting from fires and the long-lasting effect of water," they explained.

To solve the more than 2000-year-old enigma, these researchers used matrix-assisted laser desorption/ionization time-of-flight mass spectrometry (MALDI-TOF-MS) to identify the binding material. MALDI-TOF-MS offers high levels of sensitivity, requires only a minimal sample pretreatment process and can be used to reliably identify different types of proteinaceous material.

The researchers prepared "artificially aged" model samples by mixing different pigments with either animal glue or an adhesive concocted from free-range chicken eggs. To replicate the processes involved in the degradation of the pigments and binding media of the actual terracotta warriors, the model samples were buried in loess soil at a depth of one meter for one year.

Historical samples of the polychrome terracotta army were obtained from the Museum of Emperor Qin Shihuang's Terracotta Army in Xi'an to facilitate a comparative analysis.

Proteins were extracted from the model samples and from the historical samples, and the extracts were subjected to an ultrasonic bath treatment. The mixtures were then centrifuged and the supernatants collected. A method involving the complexation of EDTA in combination with dialysis was used to eliminate any interference in the polychrome layers taken from the historical samples. The extracted proteins were hydrolyzed with Sequencing grade trypsin to generate peptide fragment.

The binding media of the historical and model samples were analyzed by MALDI-TOF-MS, and the resulting peptide mass fingerprints of each sample were compared.

The peptide mass fingerprints of the historical samples were very similar to those of the animal glue model samples, having most peak masses in common.

The data obtained from the peptide mass fingerprints revealed that animal glue was present in the polychrome layers of Qin Shihuang's terracotta army even though this proteinaceous binding material underwent significant changes in terms of protein content during the two millennia the terracotta army was deployed underground. The binding media could be ascertained due to the fact that the peptide mass fingerprint of the animal glue proteins could be identified with certainty.

"To the best of our knowledge," wrote the five researchers, "this work represents the first account of the proteinaceous binding media from a 2200-year-old historical sample in China being identified by MALDI-TOF-MS."

Explore further: Building buried in Chinese emperor's tomb

More information: H. Yan, J. An, T. Zhou, Y. Xia, B. Rong, "Identification of proteinaceous binding media for the polychrome terracotta army of Emperor Qin Shihuang by MALDI-TOF-MS," Chin. Sci. Bull. (2014) 59(21):2574–2581. doi: 10.1007/s11434-014-0372-9

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5 / 5 (1) Aug 06, 2014
The complete story of Qin Shi Huang - how he succeeded (where all others failed) in ending the Warring States period - and establishing the Chinese empire - though peaceful in The School of Sun Tzu, available here: http://davidgjone...sun-tzu/

PS The terra cotta "army" of Qin Shi Huang was his memorial to the end of war. It was the world's greatest theme park when it was completed.

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