How much longer can photographic film hold on?

May 30, 2011 By BEN DOBBIN , Associated Press
Camera film sales since

(AP) -- At Image City Photography Gallery, Gary Thompson delights in pointing out qualities of light, contrast and clarity in one of his best-selling prints - a winter-sunset view of Yosemite National Park's El Capitan peak shot with a hefty Pentax film camera he bought in 1999 for $1,700.

His wife, Phyllis, a latecomer to fine-art photography after they retired from teaching in the 1990s, favors a Hasselblad X-Pan for panoramic landscapes, such as a time-lapse shot of a harbor in Nova Scotia.

Of 11 partners and resident artists at the private gallery in Rochester - the western New York city where George Eastman transformed photography from an arcane hobby into a mass commodity with his $1 Brownie in 1900 - the Thompsons are the only ones left who haven't switched to filmless digital cameras.

But that time may be near.

"I like the color we get in film, the natural light," says Phyllis Thompson, 70, who married her high-school sweetheart 50 years ago. "But digital cameras are getting much better all the time, and there will come a time when we probably won't be able to get film anymore. And then we'll have to change."

At the turn of the 21st century, American shutterbugs were buying close to a billion rolls of film per year. This year, they might buy a mere 20 million, plus 31 million single-use cameras - the beach-resort staple vacationers turn to in a pinch, according to the Photo Marketing Association.

Co. marketed the world's first flexible roll film in 1888. By 1999, more than 800 million rolls were sold in the United States alone. The next year marked the apex for combined U.S. sales of rolls of film (upward of 786 million) and single-use cameras (162 million).

Equally startling has been the plunge in sales over the last decade. Domestic purchases have tumbled from 19.7 million cameras in 2000 to 280,000 in 2009 and might dip below 100,000 this year, says Yukihiko Matsumoto, the Jackson, Mich.-based association's chief researcher.

For InfoTrends imaging analyst Ed Lee, film's fade-out is moving sharply into focus: "If I extrapolate the trend for film sales and retirements of film cameras, it looks like film will be mostly gone in the U.S. by the end of the decade."

Just who are the die-hards, holdouts and hangers-on?

Among those who still rely on film - at least part of the time - are advanced amateurs and a smattering of professionals who specialize in nature, travel, scientific, documentary, museum, fine art and forensic photography, market surveys show.

Regular point-and-shoot adherents who haven't made the switch tend be poorer or older - 55 and up.

But there's also a swelling band of new devotees who grew up in the digital age and may have gotten hooked from spending a magical hour in the darkroom during a high school or college class.

Others are simply drawn to its strengths over digital and are even venturing into retro-photo careers.

"In everything from wedding to portrait to commercial photography, young professionals are finding digital so prevalent that they're looking for a sense of differentiation," says Kayce Baker, a marketing director at Fujifilm North America. "That artistic look is something their high-end clients want to see."

Kodak remains the world's biggest film manufacturer, with Japan's Fuji right on its tail. But the consumer and professional films they make have dwindled to a precious few dozen film stocks in a handful of formats, becoming one more factor in the mammoth drop-off in film processing.

Scott's Photo in Rochester finally switched this year stopped daily processing of color print film because fewer than one in 20 customers are dropping off film. A decade ago, "we could process 300 rolls on a good day, and now we see maybe 8 or 10 rolls on the few days we actually process," owner Scott Sims says.

For the hustling masses, there's no turning back the clock.

"There's so many digital images taken every day, especially with mobile media, that never will hit a piece of paper," says Therese Mulligan, administrative chair of the School of Photographic Arts and Sciences at Rochester Institute of Technology.

Even at major photography schools, film is an elective specialty.

"Our entire first two years' curriculum is digital in orientation," Mulligan says. "Those that follow a fine-art option are the first to gravitate toward film. Other genres we teach - photojournalism or advertising or biomedical - have a stronger digital emphasis because of the industry itself."

In a rich irony, film's newest fans - not unlike music aficionados who swear by vinyl records - are being drawn together via the rise of the Internet.

"The technology that enabled the demise of film is actually helping to keep it relevant with specific types of users," says IDC analyst Chris Chute.

But with the film market shrinking by more than 20 percent annually, most other signs point downhill. Analysts foresee Kodak offloading its still-profitable film division sometime in the next half-dozen years as it battles to complete a long and painful digital transformation.

Kodak will churn out a variety of films as long as there's sufficient demand for each of them, says Scott DiSabato, its marketing manager for professional film. It has even launched four new types since 2007.

While digital has largely closed the image-quality gap, DiSabato says a top-line film camera using large-format film "is still unsurpassed" in recording high-resolution images.

"The beauty with film is a lot of wonderful properties are inherent and don't require work afterward" whereas digital can involve heavy computer manipulation to get the same effect, DiSabato says.

"In the extreme, they call it `stomped on,'" he said. "But a lot of photographers want to be photographers, not computer technicians. And some prized film capabilities - grain, color hues, skin-tone reproduction - can't quite be duplicated no matter how much stomping goes on."

Gary Thompson, who's been exhibiting his best photos for 32 years, captured his Yosemite picture on medium-format slide film - which is 4 1/2 times bigger than 35 mm film - during one of many weeks-long photo jaunts with his wife.

In the digitally scanned, 24-by-30-inch print, the shadow from a dipping sun has climbed halfway up El Capitan. The wooded, black-and-white foreground with its lacy snow patterns stands in stark contrast to the golden glow on the granite cliff face under a blue sky.

"I don't know if I could have gotten this print that large with that kind of detail" using a digital camera without "shooting several images and blending them together in Photoshop," he says. "What attracts me to shoot in almost all instances is the quality of light and there's something about film and working with it and the way it records that I just like."

Thompson feels acutely that he's reaching the end of an era.

"As people's film cameras break down, rather than purchasing another one, they move to digital," he says. "Eventually, we'll probably be doing that. There's a certain nostalgia involved, particularly when I'm working with one of my big husky cameras. That will be sad. But hey, when it happens, I'll adjust."

Explore further: NIST removes cryptography algorithm from random number generator recommendations

3.7 /5 (6 votes)
add to favorites email to friend print save as pdf

Related Stories

Kodak taking Kodachrome away

Jun 22, 2009

Kodak is taking Kodachrome away. More than 35 years after Paul Simon immortalized the color film in song, the company announced on Monday that it would be ending production of Kodachrome.

Enthusiasts revive Polaroid film, plan to sell it

Mar 22, 2010

(AP) -- A group of engineers and enthusiasts who leased an old Polaroid film factory in the Netherlands announced Monday that they had successfully reinvented instant film and will start selling packs this ...

The digital film reel

Sep 07, 2010

Movies are becoming more and more digital -- from the shooting to the cut to the showing. At the International Broadcasting Convention IBC in Amsterdam that is taking place from Sept. 10-14, 2010, Fraunhofer movie experts ...

Recommended for you

Gates-funded student data group to shut down

Apr 21, 2014

The head of a student data processing organization says it will shut down in the coming months following criticism that led to the recent loss of its last active client—New York state.

Four questions about missing Malaysian plane answered

Apr 19, 2014

Travelers at Asian airports have asked questions about the March 8 disappearance of Malaysia Airlines Flight 370 while en route from Kuala Lumpur to Beijing. Here are some of them, followed by answers.

Under some LED bulbs whites aren't 'whiter than white'

Apr 18, 2014

For years, companies have been adding whiteners to laundry detergent, paints, plastics, paper and fabrics to make whites look "whiter than white," but now, with a switch away from incandescent and fluorescent lighting, different ...

User comments : 4

Adjust slider to filter visible comments by rank

Display comments: newest first

Dr_Mabuse
5 / 5 (1) May 30, 2011
I used up all my refrigerator stored Kodachrome rolls at the end of 2010. I woukld really miss its long-term stability. Now using mostly a Nikon D70s which is nice to use but needs a lot of thinking about all the effects.

But I plan to use B+W negatives for large format and, if I have enough time, someday will try prints on platinum copies.
They will last more than 200years. How much do you think will DVDs or flash memory last ?
El_Nose
not rated yet May 30, 2011
DVD's last a max of 7yrs

Flash is iffy - truely dependant on number of read/writes -- but upwards of decades
Moebius
not rated yet May 31, 2011
Film will be around forever, if a small niche. It has unique qualities that can't be replaced by digital.

As far as how long stuff lasts, don't believe the low estimates. I've heard similar stuff about VHS and guess what? My VHS tapes still work. So do my DVD's that are older than 7 years. What's more the functionality of a DVD isn't inherent in the materials it's made of. Improvements in material technology can be made without changing the standard.
FrankHerbert
0.7 / 5 (48) May 31, 2011
Musicians still use vacuum tubes and pay quite a premium for them. Film will be around for awhile if only a small niche as Moebius said.

More news stories

Robot scouts rooms people can't enter

(Phys.org) —Firefighters, police officers and military personnel are often required to enter rooms with little information about what dangers might lie behind the door. A group of engineering students at ...

Finalists named in Bloomberg European city contest

Amsterdam wants to create an online game to get unemployed young people engaged in finding jobs across Europe. Schaerbeek, Belgium, envisions using geothermal mapping to give households personalized rundowns of steps to save ...

Internet TV case: US justices skeptical, concerned

Grappling with fast-changing technology, U.S. Supreme Court justices debated Tuesday whether they can protect the copyrights of TV broadcasters to the shows they send out without strangling innovations in ...

Brazil passes trailblazing Internet privacy law

Brazil's Congress on Tuesday passed comprehensive legislation on Internet privacy in what some have likened to a web-user's bill of rights, after stunning revelations its own president was targeted by US ...

In the 'slime jungle' height matters

(Phys.org) —In communities of microbes, akin to 'slime jungles', cells evolve not just to grow faster than their rivals but also to push themselves to the surface of colonies where they gain the best access ...

New alfalfa variety resists ravenous local pest

(Phys.org) —Cornell plant breeders have released a new alfalfa variety with some resistance against the alfalfa snout beetle, which has ravaged alfalfa fields in nine northern New York counties and across ...